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This was the first time that I have witnessed the research of a Muslim maid for the gown of her wedding celebration. In front of my eyes, a variety of Muslim wedding gowns designed in complex cuts of several layered fabrics to cover the body of a bride who wasn’t supposed to show anything of her body’s parts. I was surprised to see the difference, since I knew my friend wearing also short skirts and sleeveless blouses or shirts, but now with the occasion of her wedding celebration she was supposed to obey to the Muslim rules of wearing her bridal appearance: none of her body parts to be exposed.
I remember the sites where western brides display their image of sensuality showing roundness of naked shoulders and scooped necklines of the bodice to fitted-ly show the round shapes of the breasts; and the wasp waists underlined by corsets that end up in flowing materials that leave behind majestic trains. But in here, with the research done by my Turkish friend, I was supposed to meet only dresses that their main concern was to cover as much as possible the beautifully carved shapes of a woman’s body.

I was speechless, but I can not say that these dresses didn’t have something of their own in return; they had a kind of mystery and elegance in their overall coverage aspect, partly because of the expensive fabric that the gown was made of and partly because the Muslim bridal appearance was reflecting the image of an Jasmine character simple and dedicated more to her moral virtues than to the eyes of other spectators. The Muslim bride is more committed to shine to her own groom than to attract other curious eyes, and since her future husband is the one to appreciate her for who she truly is in her innermost existence, the exterior aspect matters the less.
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